Archive for Items Categorized 'Photography', only excerpts shown, click title for full entry.
by Jürgen Lewandowski
Is there such a thing as too many Ferraris? Or too many Ferrari books? Nah. But this 10-pounder has challenges beyond its mere heft. Those Michael Zumbrunn photos, though. Bellisima.
by Carl De Keyzer and David Van Reybrouck
Whether you’re a student of history or photography this book has new things to say and show—none of them simple or simplistic but all wrenching and necessary.
by Ron Kurtz, Deborah Douglas, Gus Kayafas (editors)
Thanks to the use of strobes and flashes, Edgerton’s Speedray photos, as they were nicknamed, gave visual evidence of laws of nature that had only been theorized upon before but not been observable. This book offers a look at the science and the man.
by Langdon Clay
Taking one clever photo is easy. Taking hundreds, not so much. Sure, you’ve seen cars on city streets—but surely not this way.
by Hans Hamer, editor
That movie destroyed friendships and budgets and schedules. It probably didn’t help anyone’s career. And there’s also a less talked-about side to it, recorded just in time before its author died.
by Heike Hintzsch
In 2011 Porsche returned to the World Endurance Championship and vowed to win Le Mans. They did. More than once. This is the story.
by René Staud & Jürgen Lewandowski
If it doesn’t look as if there will be a Bugatti or McLaren or Pagani under the Christmas tree—ask for this book as a consolation price. Its cover is so glam it doesn’t even need wrapping paper!
by Piers Bizony
Plenty of photos, yes, but this book is really more about the role of photography. Over and over it makes the point that you probably have seen these photos before, but probably not this way.
by René Staud, Paolo Tumminelli
If it’s specs and serious history you want, this is not the book. But if a car’s shape makes you lightheaded and its “image” excites you, this is the book.
by Hilar Stadler / Martin Stollenwerk (editors)
Lovely photos, yes, lots. But they are more than that, if you are inclined to look beyond the surface and parse the authors’ intentions.
by Dave Friedman
The years at Shelby’s first premises in Venice were critical and the people who worked there young and enthusiastic, Friedman among them. His photos are an insider’s look at that most American of outfits.
by Michael Keyser
It’s almost 50 years ago that this movie was made. It was not a box office hit but—and this is the only thing that mattered to the one person who needed to make it, Steve McQueen—it was true to racing, life and death, few words and big deeds.